Thursday, 8 December 2016

Types of title sequences


The 4 main types of title sequences-

1. Discrete title sequences opening scene
- Separately filmed clips that go before the film begins
- They set the mood and tone for the rest of the film
- e.g. Skyfall- the characters look professional by wearing suits/smart clothes and there is weapons and blood around them. Adele's film score is suspenseful and James Bond appears the most, letting us know that he is the main character.



2. Stylised opening scene
-relies heavily on editing to set the mood
- sometimes the text is within the scene itself
- the font shows a lot of the mood usually, e.g. is the font is sharp, it can show us that the film will involve some weapons or danger.



3. Credits over a blank screen opening scene
- blank background with a contrasting text colour
- music/sound can be used to set the scene
-A good example is Star Wars The Force Awakens



4. Narrative sequence opening scene
- a character usually speaking
- we can make a judgement/ idea of the character before they are introduced into the film
- allows us to get an insight into the character and storyline.














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Monday, 5 December 2016

Thriller Questionnaire




This is the link to my survey- https://www.surveymonkey.co.uk/r/T7KLXD6
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Monday, 28 November 2016

Sound Planning


Play by play plan of music and sound for opening-

  • In scene 1, the girl is relaxing in her room, a quiet and relaxed r&b type of beat is playing in the background (i will create this in garage band)

  • When her phone vibrates, a vibration sound from garage band will sound to show that something happened in her phone

  • The music continues for the rest of that bedroom scene

  • In scene 2, eerie, creepy music that i will create again in garage band plays in the background of the hacker's room

  • His laptop makes a computer sound effect (from garage band) as he hacks into her phone

  • As her image comes onto the screen, her music plays softly to show he can hear her as well as see her

  • Music of his and her rooms mixed continue for rest of scene as he watches her sleep through her phone camera.

  • In scene 3, different sound effects and music are used for each clip of her doing daily activities, e.g. water sound effects with music in the background for the shower, eating sound effects (or just the sound of the girl eating) and silence in the background in the kitchen, the sound of workout machines with generic pop music (created by me on garage band) as she works out in the gym, the girl's sniff sounds and silence as she sits crying on her own (meant to make the audience feel uncomfortable, to emphasise how the hacker is invading her privacy)

  • In scene 4, the hackers music is back as his room is shown again, his music increases in volume as we can see all the different clips of her on his screens, and becomes more upbeat and creepy towards the very end as the camera shows his stalker wall full of photos.
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Friday, 18 November 2016

Storyboard and Cast

Storyboard for thriller opening




Cast-
girl- myself
hacker-myself

-could be a challenge filming it myself but my brother or a friend can film parts where the camera may be tracking me, but filming myself would work better because a lot of it is filmed from the perspective of my phone camera anyway.

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Friday, 21 October 2016

Potential Target Audience

My audience for this thriller is based at 15+ year olds, who enjoy psychological thrillers. It will be a 15 because it will have aspects of potential death a character with psychological issues but not an 18 because it will not be explicit.






Here is data showing what ages are more popular in the overall audience for thrillers. I find it quite interesting that the 2 most popular age ranges, 18-24 and 50+ are so far apart.


Thrillers are usually aimed at both sexes, the films are usually 15+ so that is where the audience age usually ranges from.


My trailer targets 15-30 year olds because those ages are the most likely to be using their phone and social media 24/7 so they will relate to the film more than older adults, but some older adults may find it interesting too.

image used



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Wednesday, 19 October 2016

Preliminary Task


________________________________________________________________

Task- to film a thriller opening title sequence using media techniques, then edit it and add music created in garageband.

Location- all over my house

Equipment + props- HD camera (Canon 700D), Tripod, phone, laptop

Filming- film with camera unless the POV is from her phone, when it's from phone film with phone to make quality change so it's more realistic.

I tried filming horizontally or vertically, to see which looks better. i preferred horizontal for the main clips and vertical for the clips from the phone for a more realistic effect.

Main plot idea- A girl gets a subtle noise coming from her phone as if it got a notification, but she checks and nothing is there. She forgets about it. 
The film cuts to the other character, the hacker, on his computer screens watching her from her phone camera, as he has hacked into her phone. He watches her fall asleep from her phone camera,
Screen cuts to short clips of the girl living her daily life e.g. shows the shower running and steamed up, her with her friends bitching, her listening to parents fighting, her crying, etc. 
The film cuts again to the hacker and the camera is over his shoulder as his pins things to the wall like photos of her taken from her phone, etc. He has seen everything that she's been doing and saying for months...
zooms out so we see everything she's been doing on his 3 monitors

This is an example of a preliminary task because i didn't film mine.





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Tuesday, 18 October 2016

Age Rating Guidelines


To protect children from unsuitable or harmful things in films, the BBFC examines and age rates the films before release.
Typically, 2 examiners watch a film and then confirm the recommendation is confirmed by a Senior Examiner. 
If the examiners are in any doubt or don't agree, the work may be seen by other members of the board up to the chief executive and the presidential team.
They look at issues like discrimination, drugs, horror, dangerous and easily imitable behaviour, language, nudity, sex and violence. They consider context, the tone and the likely impact of the film on the potential audience.



U Universal – Suitable for all

A U film should be suitable for audiences aged four years and over, although it is impossible to predict what might upset any particular child. U films should be set within a positive framework and should offer reassuring counterbalances to any violence, threat or horror. If a work is particularly suitable for pre-school children, this will be indicated in the BBFC insight.

Discrimination- Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of. 
Drugs- References to illegal drugs or drug misuse must be infrequent and innocuous, or have a clear educational purpose or anti-drug message suitable for young children.
Imitable behaviour- Potentially dangerous or anti-social behaviour which young children may copy must be clearly disapproved of. No emphasis on realistic or easily accessible weapons.
Language- Infrequent use only of very mild bad language.
Nudity- Occasional nudity, with no sexual context.
Sex- Only very mild sexual behaviour (for example, kissing) and references to such behaviour.
Threat- Scary or potentially unsettling sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
Violence- Violence will generally be very mild. Mild violence may be acceptable if it is justified by context (e.g. comedic, animated, wholly unrealistic)



PG- Parental Guidance

Discrimination- This is unlikely to be acceptable unless clearly disapproved of, or in an educational or historical context, or in a particular dated work with no likely appeal to children. Discrimination by a character with whom children can readily identify is unlikely to be acceptable.

Drugs- References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.

Imitable behaviour- No detail of potentially dangerous behaviour which young children are likely to copy, if that behaviour is presented as safe or fun. No glamorisation of realistic or easily accessible weapons such as knives. No focus on anti-social behaviour which young children are likely to copy.

Language- Mild bad language only. Aggressive or very frequent use of mild bad language may result in a work being passed at a higher category.

Nudity- There may be nudity with no sexual context. Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.

Threat- Frightening sequences or situations where characters are in danger should not be prolonged or intense. Fantasy settings may be a mitigating behaviour.

Violence- Violence will usually be mild. however there may be moderate violence, without detail, if justified by its context (history, comedy or fantasy for example)




12A/12- Suitable for 12 years and over.

Films classified 12A and 12 contain material that is not generally suitable for children aged under 12. No one younger than 12 may see a 12A film in a cinema unless accompanied by an adult. Adults planning to take a child under 12 to view a 12A film in a cinema unless accompanied by an adult. Adults planning to take a child under 12 to view a 12A film should consider whether the film is suitable for that child. To help them decide, we recommend that they check the BBFC insight for that film in advance. No one younger than 12 may rent or buy a 12 rated video work.

Discrimination- Must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.

Drugs- Misuse of drugs must be infrequent and should not be glamorised or give instructional detail.

Imitable behaviour- No promotion which children are likely to copy. No glamorisation of realistic or easily accessible weapons such as knives.

Language- There may be moderate language. Strong language is permitted depending on the manner in which it is used, who is using the language, it's frequency within the work as a whole and any special contextual justification.

Nudity- There may be nudity but in a sexual context it must be brief and discreet.

Sex- Sexual activity may be briefly and discreetly portrayed. Moderate sex references are permitted, but frequent crude references are unlikely to be accepted.

Threat- There may be moderate physical and psychological threat and horror sequences but the overall tone shouldn't be disturbing. 

Violence- Moderate but not dwelling on detail. No emphasis on injuries or blood. Sexual violence may be implied or briefly and discreetly indicated and it's depiction must be justified by context.





15- 15 Years and over

Discrimination- The work as a whole must not endorse discriminatory language or behaviour but there may be racist, homophobic or other discriminatory themes and language.

Drugs- May be shown but as a whole may not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances is unlikely to be acceptable.

Imitable behaviour- Dangerous behaviour should not dwell on detail which could be copied. 

Language- May be strong language. Very strong language may be permitted depending on the manner in which it is used, who is using the language, it's frequency within the work as a whole and any special contextual justification.

Nudity- There are no constraints on nudity in a non-sexual or educational context. There may be nudity in a sexual context but usually without strong detail.

Sex- Sexual activity may be portrayed, but usually without strong detail. May be strong verbal references to sexual behaviour but the strongest references are unlikely to be acceptable unless justified by context.

Threat- There may be strong threat and horror. A sustained focus on sadistic or sexual threat is unlikely to be acceptable.

Violence- May be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable.




18- Suitable only for adults

No one younger than 18 may see an 18 film in a cinema. 

Sex education at 18- Where sex material genuinely seeks to inform and educate in matters such as human sexuality or safer sex and health, explicit images of sexual activity may be permitted.

Sex works at 18- Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed 18. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images or other very strong sexual images will be confined to the R18 category.



 


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Wednesday, 28 September 2016

Media Products Inspired In My Planning


One Media product that has inspired my planning for my trainer is the TV show Stalker.

It is based on a team of detectives that investigate cases including stalkers.
The way it relates to my idea is my thriller trailer will be based on stalking.

Watching the first season of Stalker the show is great research to understand better how a stalker would think and what they would be looking for.

I need this knowledge because i'm planning on filming my clips from the perspective of my phone camera, which the stalker is watching me through.

I hope to also have clips of the stalker actually contacting me in different ways and there are many examples of how he could do this in Stalker the show, so i've gathered a few ideas just from watching it.

image used


Another media product that came to mind when planning this media project is a music video - Aquarius by Tinashe.

The reason this video has inspired me for an aspect of my trailer is that some of the music video is shot in quite a DIY style, handheld footage, sometimes filmed by Tinashe herself.

This applies to my trailer because some of my trailer will be filmed from the perspective of my phone camera in some shots- not all. This style of shot is necessary because i want it to come across as if I'm being watched through my mobile camera by a stalker.



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Tuesday, 27 September 2016

Conventions Of Film Openings


These are the basic conventions of a film opening/opening credits:

1. The studio company logo that produced the film, e.g. Disney or Pixar.

2. Titles (names of cast and producers), usually lasting 5 or 6 seconds each.

3. Music establishing the genre, e.g. happy and upbeat for comedies or romance, suspensful and slow for horros or thrillers.

4. Introducing the characters one by one usually, showing the relationships between them and also introducing the actor's names in a title sequence as each character is shown.

5. The scenes and what happens in the opening scene determines the genre, e.g. an action scene for an action movie, or a creepy scene for a horror.

6. An enigma, so they're already starting to try and puzzle out the film. e.g. a quick scene of a weapon covered in blood, the audience will be wondering what happened.

7. An establishing shot, to set out the location of the film, e.g. the opening scene of Friends clearly shows it's set in New York.

8. The timings of each title range from 3-5 seconds, generally.

example of Friend's opening scene shown below. 




image used
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The Thriller Film That Inspired My Trailer


A thriller film that has inspired me in planning my own thriller trailer is Ratter.

This film has inspired me because i think the camera work is very creative, as a lot of the film is shot through the perspective of Emma's laptop, tv and phone..
I want to use similar filming styles in my fim opening.

The main character is Emma, who is newly living in New York when someone hacks into her phone; laptop, tv...all electronic devices somehow. The person that hacked into everything is watching her whole life, then they start stealing photos of her and a guy she's dating and messaging Emma pretending to be her boyfriend. 

After some time he stalks her and enters her apartment while she's in there, and attacks her while she's video chatting her mother, while her mother helplessly watches through the camera.

He becomes obsessed with her just from watching her through her screens and the whole film is grippingly scary to me because it makes me really think about how much privacy i actually have, because this could happen to any of us. 

I find thrillers that could realistically happen to me much more horrifying rather than any sort of supernatural storylines.

I'm not a fan of the end of the movie though, because we never find out who the "Ratter" is.

The trailer for Ratter is below.




image used
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My Favourite Thriller And Why


My personal favourite thriller movie is Mindscape (also known as Anna).



above is the trailer ^ 

It's basically about a man called John who has the power to enter people's memories and uses this power to solve crimes.

 He takes on the case of a teenage girl that is on a hunger strike and who has a difficult childhood, trying to work out if she is a sociopath or a victim of abuse/trauma using her memories.

I like the movie a lot because it's chilling, full of suspense and has an interesting storyline throughout. I also find entering the memories very interesting and it breaks the scenes up making it easy to stay focused.

 Then it has a big twist at the end because Anna ends up setting John up for her own murder, BUT he gets out of prison because another man who can read memories analyses John's mind and sees that he is innocent. 

I'm also a fan of romance and there is an underlying romantic storyline going on between John and Judith, a woman who works in Anna's house. 


image used
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Thursday, 22 September 2016

Voted Best Of All Time Thrillers



The first well known thriller that is considered one of the best is Inception.
What makes it one of the best is it relates to something we all experience-dreams, where unrealistic things feel realistic.
 Characters entering and stealing dreams is an original idea and that's what makes it interesting.
Also, we can relate to the main character- who takes outlandish risks just so he can see his children again.
 The concept of a dream within a dream is what makes people ponder while watching this film- in my opinion it's popular because it's strange and it makes people think about their subconscious.

below is the trailer.





Lastly, another well knwon thriller is The Sixth Sense.
It's in the list of best thrillers because it's gripping and horrifying while having an excellent storyline.
The plot also revolves around an investigation, which is a common convention of a thriller.
It includes elements of the supernatural, suicide, and a character that we can relate to- a guilty psychologist who is trying to help a child to redeem himself for failing with a previous patient.
What engages the audience so much is the main characters are noble and easy to root for, while the creepy child character keeps us on the edge of our seat.

Below is the trailer.




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Wednesday, 21 September 2016

Popular/Well Known Thriller Directors


Some of the most well known directors for thriller movies include Christopher Nolan (shown above), Quentin Tarantino and M. Night Shyamalan.



Christopher Nolan is famous for directing Inception, The Dark Knight and the Dark Knight Rises. 
He is 46, English-American and is a film director, screenwriter, cinematographer and editor.
His films are generally rooted in philosophical, sociological or ethical concepts, e.g. human morality, time, memory and personal identity. 




Quentin Tarantino is known for the the memorable Pulp Fiction and Kill Bill 1 and 2.
He is 53 and American.
His movies generally revolve around satire, non linear storylines.




Lastly, M. Night Shyamalan is 46, an Indian-American film director, screenwriter, producer and occasional actor.
He is best known for directing The Sixth Sense.
He is known for including plot twists in his movies.





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What Are The Genre Conventions Of A Thriller Film?



-The aim of a Thriller is to create suspense and thrill, scare, excite and make the audience anxious. 

-Thrillers typically use suburban or everyday settings like houses, schools, etc. and make perfectly normal places seem eerie.

-Crime and politics are common themes in thrillers.

-The lighting is almost always from an unnatural light source, often shot in low key lighting with lots of shadows or key lighting during especially thrilling scenes. This connotes the feeling of suspense or the unknown, creating an eerie atmosphere.

-The plot usually revolves around an investigation, sometimes includes violence/crime and there could be a major twist/unexpected finish in the end.

-Often many different sub-stories are going on, which all concatenate in the end.

-The villain is normally an outsider/outcast.

-Film music is often creepy and slow in minor key, with louder moments in action scenes. Music plays a big part in making thriller films.

-There are often jump cuts, high angle and close up shots.











image used
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What Is A Thriller?






A thriller is a novel, play or film with an exciting plot,  involving crime.
They generally give the audience feelings of suspense, surprise, excitement, anticipation and anxiety.


This link sums up the 10 Basic Ingredients of a successful thriller;

1. A good, thrilling story full of suspense.

2. From the POV of the underdog/character with the most to lose.

3. Multiple points of view, which builds tension and irony.

4. Opening with an action scene-introduce 'hero' and 'villain' first.

5. Early on, make it clear what your main character fears.

6. Make your main characters miserable until the end.

7. High paced, something new in each scene.

8. Show, don't tell. Use action verbs.

9. Your main characters have to change throughout the storyline.

10. Teach the audience something.




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